Chantal Akerman

Chantal Akerman

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

KNOWN FOR
CREDITS
PHOTOS

TV Series

Les Rendez-vous du dimanche

Les Rendez-vous du dimanche

6

Movies

Blow Up My Town

Blow Up My Town

6.3
Seven Women, Seven Sins

Seven Women, Seven Sins

5.3
Je Tu Il Elle

Je Tu Il Elle

6.5
News from Home

News from Home

7
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

7.383
The Room

The Room

5.286
She Spent So Many Hours Under the Sun Lamps

She Spent So Many Hours Under the Sun Lamps

7.4
Pictures of Europe

Pictures of Europe

0
Chantal Akerman, From Here

Chantal Akerman, From Here

5.7
Guest

Guest

6
applechedikal

applechedikal

0
Chantal Akerman: An Interview

Chantal Akerman: An Interview

0
Knokke: une petite fiction 2

Knokke: une petite fiction 2

5.5
Autour de La Folie Almayer

Autour de La Folie Almayer

0
Chantal Akerman by Chantal Akerman

Chantal Akerman by Chantal Akerman

6
No Home Movie

No Home Movie

6.767
The Man with the Suitcase

The Man with the Suitcase

6.1
Porto

Porto

5.7
I Don't Belong Anywhere: The Cinema of Chantal Akerman

I Don't Belong Anywhere: The Cinema of Chantal Akerman

6.5
L'inhumaine

L'inhumaine

0
Tell Me

Tell Me

5.4
The Ministries of Art

The Ministries of Art

6.3
What Is Cinema?

What Is Cinema?

6.4
Chantal Akerman: Always on the Road

Chantal Akerman: Always on the Road

8
The Day When...

The Day When...

7
Family Business

Family Business

7
My Name is Chantal Akerman

My Name is Chantal Akerman

0
Autour d’hier aujourd’hui et demain (on déménage)

Autour d’hier aujourd’hui et demain (on déménage)

0
The Beloved Child, or I Play at Being a Married Woman

The Beloved Child, or I Play at Being a Married Woman

6.5
What Lies Beneath the Sky

What Lies Beneath the Sky

0
Autour de Jeanne Dielman

Autour de Jeanne Dielman

6
Birth of a Nation

Birth of a Nation

6.3
Letter from a Filmmaker: Chantal Akerman

Letter from a Filmmaker: Chantal Akerman

6
Down There

Down There

4.9
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

7.9
But Elsewhere Is Always Better

But Elsewhere Is Always Better

0
Maniac Summer

Maniac Summer

0
De droomproducenten

De droomproducenten

0
Chantal Akerman

Chantal Akerman

0
Portrait of a Lazy Woman

Portrait of a Lazy Woman

6.5
Mallet-Stevens Street

Mallet-Stevens Street

0
Interview with Babette Mangolte

Interview with Babette Mangolte

0
Interview with Aurore Clément

Interview with Aurore Clément

0
Interview with my mother, Natalia Akerman

Interview with my mother, Natalia Akerman

0
My Mother Laughs Prelude

My Mother Laughs Prelude

0
Delphine and Carole

Delphine and Carole

6.885
One Day Pina Asked...

One Day Pina Asked...

5.5
Sodankylä Forever

Sodankylä Forever

0
The Art of Time

The Art of Time

0
Son chant

Son chant

0
Examen d'entrée INSAS

Examen d'entrée INSAS

0
From the Other Side

From the Other Side

6.9